Was Christ a Clown?

As I read the Bible sometimes, I picture Jesus in his humanity with a sort of halo around his head during his treks through Galilee. The French painter Georges Rouault captures the humanity of Jesus (seen in the above picture) in a much different way. His depictions of Christ are not with a halo but as a clown, as one despised and mocked. A clown represents the victims of society, the refuse of the world, the perishable, the transient, the foolish (1 Cor. 1:26); this is what Christ took on in his humanity according to Rouault’s art.

Rouault was born 1881 in Paris into a poor family. At the age of 14 he began an apprenticeship as a glass painter and restorer. This early experience as a glass painter is the likely source of the heavy black contouring and glowing colours which characterize Rouault's mature painting style. When you view Rouault’s work, as in the picture above, what do you feel?

The sorrow and suffering that comes with everyday life is something Rouault fully engaged in his art. In both Rouault’s depictions of clowns and Christ, there is the same downward curve of the lips, the same elongation of the face, and the same deep emanation of suffering from the eyes. This is the tragic plight of humanity according to Rouault.

There are those who have criticized Rouault for his melancholy depictions of Christ. Some have even labeled him irreligious. He explains, however, that his art was meant to give a taste of the extent of God’s compassion, “I saw clearly that ‘the clown’ was myself, ourselves . . . this rich, spangled costume is given us by life, we’re all of us clowns . . . wear a ‘spangled costume,’ but if we are caught unawares . . . who would dare to claim that he is not moved to his very depths by immeasurable pity . . . King or emperor, what want to see in the man facing me is his, and the more exalted his position the more misgivings I have about his soul.” (Harvey Cox, A Feast of Fools, p. 139)

I think often we want the resurrection without the cross, the promise of hope without any suffering, new life without the death of the old. Rouault reminds us that it is through the pain and suffering that God’s joy and promise comes. In the same way that Rouault’s paintings were made to have light shine through them, the light of God’s hope goes through the cross to the resurrection.

As a group of us reflected on a few paintings of Rouault’s today, we were astounded at how this master painter could portray Christ in utter sorrow but at the same time in amazing serenity. We came to the following conclusion: in the midst of taking on our shame and pain, Christ entered into a new confidence and peace in his Father’s love. There is symmetry between Christ’s endurance of pain and the embrace of his Father’s love. Christ only enters the pain because of the warmth of love he first feels from the Father and that warmth grows in the midst of the suffering.

This made us think about how Christ’s engagement of humanity as the clown impacts our interactions in society today. How do you think the metaphor of the clown informs how we should relate to others? Have you experienced a ‘clown encounter’ in your life?